Tuesday, April 17, 2012
Graphic Design Resume – 20 Creative Sample Resumes
You’ll spend half of your time as a designer impressing clients – or trying to, at least. To achieve that, you can show a portfolio containing your best work. But why not take it up a notch? Why not create a fancy and unique resume? If getting noticed is the objective, then you should aim to excite employers right from the get-go.
I know gimmicky resumes might not sit well with some of you and you do have to question the practicality of passing these around from one interview to another. However, if I was applying for a job where creativity is a huge factor, I’d rather march into human resources with one of these in hand and take comfort in the fact that I’ll be remembered when it counts.
That said, here’s a collection of creative and fun resumes to inspire and get your juices flowing. If you want to know more about the concept behind a particular resume, click on the image to see the original source.
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3 Worst Freelance Designer Decisions You Can Make
The other day I did a piece on the three best freelance designer decisions you can make. Now, I’m following it up with the three worst freelance designer decisions you can make.
Keep in mind that I’m leaving obvious items off the list, such as copyright infringement and jumping off a cliff if a client complains, but including poor decisions freelance graphic designers make every day that jeopardize their careers and could spell doom for their businesses. In addition, I’ve avoided stating the opposites of the three best decisions you can make, since “double your fee” and “charge too little” seem a bit redundant.
Getting too comfortable
Ever hit a streak when steady client work is pouring in, you’re landing year-long contracts, and repeat business is so good you don’t have to look for new clients? I call it the Comfort Zone, and it’s a good feeling. But when you get too comfortable, you risk everything because you’re not sewing the seeds of new business.
Many say the freelance life is feast or famine, and getting too comfortable when things are going great means you’re setting yourself up for frustration when things settle down. Continually market your business, and even lulls in activity will be fruitful.
Refusing help
It’s great to have pride in your work, but too much pride can limit your profit potential and threaten your business. When you’re in the Comfort Zone, it can be easy to justify not looking for extra work because you don’t have time to take it on. Thus, you’re limited by what you – and you only – can accomplish. But when you’re open to contracting talented help to handle overflow, you can grow your business exponentially. Remember that every client you turn away is a client you can’t get back when business is slow.
Knowing everything
Think everything you need to know about graphic design you learned in college? Then you’re severely limiting your ability to compete in an ever-evolving marketplace. Always learn new techniques, stay abreast of new trends, and study others’ work. You’ll stay relevant and cutting edge while other struggle to keep up with archaic design styles.
What’s more, make a concerted effort to understand how graphic design plays into your clients’ overall goals. Remember that if your clients wanted a beautiful piece of art, they’d go to an art store. What they want, at least in most cases, is for you to create a design that will help them land sales. Understand how colors, contrast, layouts, font styling, and other design elements motivate customers in order to craft designs that not only look great, but also generate sales. Doing so will keep your customers ecstatic about your work and you in business for a very long time.
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Keep in mind that I’m leaving obvious items off the list, such as copyright infringement and jumping off a cliff if a client complains, but including poor decisions freelance graphic designers make every day that jeopardize their careers and could spell doom for their businesses. In addition, I’ve avoided stating the opposites of the three best decisions you can make, since “double your fee” and “charge too little” seem a bit redundant.
Getting too comfortable
Ever hit a streak when steady client work is pouring in, you’re landing year-long contracts, and repeat business is so good you don’t have to look for new clients? I call it the Comfort Zone, and it’s a good feeling. But when you get too comfortable, you risk everything because you’re not sewing the seeds of new business.
Many say the freelance life is feast or famine, and getting too comfortable when things are going great means you’re setting yourself up for frustration when things settle down. Continually market your business, and even lulls in activity will be fruitful.
Refusing help
It’s great to have pride in your work, but too much pride can limit your profit potential and threaten your business. When you’re in the Comfort Zone, it can be easy to justify not looking for extra work because you don’t have time to take it on. Thus, you’re limited by what you – and you only – can accomplish. But when you’re open to contracting talented help to handle overflow, you can grow your business exponentially. Remember that every client you turn away is a client you can’t get back when business is slow.
Knowing everything
Think everything you need to know about graphic design you learned in college? Then you’re severely limiting your ability to compete in an ever-evolving marketplace. Always learn new techniques, stay abreast of new trends, and study others’ work. You’ll stay relevant and cutting edge while other struggle to keep up with archaic design styles.
What’s more, make a concerted effort to understand how graphic design plays into your clients’ overall goals. Remember that if your clients wanted a beautiful piece of art, they’d go to an art store. What they want, at least in most cases, is for you to create a design that will help them land sales. Understand how colors, contrast, layouts, font styling, and other design elements motivate customers in order to craft designs that not only look great, but also generate sales. Doing so will keep your customers ecstatic about your work and you in business for a very long time.
About the Author:
|
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Typical Freelance Graphic Design Process
Social Graphic Designer (Photo credit: Filimonas) |
Every freelance graphic designer operates their business differently, but in most cases follows the same general process as below. The information provided herein is based on my own experience as a freelance graphic designer, and can be used to set the basis for your own operations or to give clients a better insight into your typical design process.
Request for Quote
Before a project/job can begin, some form of introduction has to be made between the client and designer. It can go both ways: the designer submitting a project proposal, resume or portfolio for the client’s consideration or vice versa, the client submitting a request for quote, project brief, etc. This can be accomplished in any number of ways but most typically is either through an email, a website form, a phone call or an in-person meeting.
Estimate
If the cost of the project hasn’t been set by the client (i.e. in a job advertisement, project brief, etc.), generally the designer will review the project specifications and supply a reasonable estimate based on: the information submitted by the client during the introductory phase and their own rates and terms of service.
Contracts
An experienced designer knows better than to offer a service without the security of a contract to protect them. Typically the contract will cover all the basis of the designer’s working operations including: costs of services, deadlines, ownership, payment terms and so on. Always read and understand the contract fully before signing!
Deposits / Upfront Payments
Most designers require some form of upfront payment, generally 10-50% of the estimated project cost, and will expect it to be paid before any service is provided. This not only protects the designer in the event the client cancels after work has been provided, but also signals to the designer that the client is serious about following through with the project. In many cases, this initial deposit is retained by the designer (i.e. it won’t be refunded to the client).
Concepts
Once all the paperwork and upfront payments are out of the way, the designer will then get to work by producing “concept ideas” based on the client’s requests. Generally these are sketches, mock-ups or what the designer believes the final design should look like (in rough form). Most designers provide 1-5 initial concept ideas. Providing the client with too many concepts could complicate and drag on the project for longer than initially projected – the client won’t like being billed more than the estimated cost.
Revisions
Generally the client will take a few days to mull over the concepts provided by the designer and choose one or two to modify or revise into what they want the final design to be. Some designers limit the amount of revisions that can be made in order to streamline the project to completion; while others provide unlimited amounts of revisions. If you have a picky client that likes to make change after change; a friendly reminder that they will go over-budget if they proceed to make any more changes and/or that their requested changes will be billed as a “redesign” (therefore needing a new set of contracts and payments) will help them make up their mind quicker, so you can get on with the design process.
Final Design
Once the client is satisfied with the concept idea that they’ve revised, its time for the designer to finalize the design – that is to clean up the artwork, prepare files for output, and compiling all the finished files to send to the client after final payment.
Final Payment
Before the designer releases the final design to the client a final payment is typically due for all the expenses incurred for the project; generally excluding the initial payment. Once all payments have been made, the designer will then send the final design along with any transfer of rights to the client. The client will then go on to use the files in the manner specified by the designer or as arranged for the project. Generally at this point the project is considered finished and the client and designer go their separate ways.
After Project Expenses
For projects where the content is licensed, sometimes the client will have to continue making payments to the designer for use of the design/material well into the future. Other times the client may return to the designer months or years later asking for a revision or change to the design; in most cases the designer will charge their then standard rate/terms for the service regardless of what the original rate was.
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Thursday, April 12, 2012
125+ Amazing & Beautiful Examples Of Branding Design Inspiration
In honor of excellent branding design (which we are a huge fan of) we decided to collect some of the freshest and hottest branding we have seen in a while. Good Branding can be so incredibly epic, my favorite type of branding is when they brand all the little things that you never really expect to be branded. The Print aspects of branding are usually expected, flyers, brochures, business cards, etc. But I LOVE seeing awesome branding examples of glass, packaging, architectural (outside of building painted, logos inside building etc.) it really encompasses every aspect of their business and brand (from print paper materials to online web and mobile website design) and ties it all together in one uniform design theme that gets the message out across many mediums. It is all about the customer experience – use these branding techniques as great examples to go by if you really want to WOW your customer. I hope this inspires you on whatever it is that you are working on at the moment – Enjoy!
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Wednesday, April 11, 2012
45 Creative Packaging Designs
The design on any product is what gives your potential customer the first impression of it. That is why it is very important that you break the customary rules and make your product stand out from the rest. A beautifully designed packaging will have huge appeal to your target market and it can influence the buyer’s decision. In today’s post, we have collected around 45 effective and creative package designs that will inspire you and perhaps make some realize how important it really is to value the hard work behind the designs on products out there in the market.
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30 Beautiful Examples Of Cool Catalogue & Brochure Design
In business design brochures and booklets are a standard tool for promotion and advertising. As we all know that catalogue and brochures take part important role in printing field. If you are in printing field and you need to design brochures & catalogue then here we have a luminous collection of “30 Beautiful Examples Of Cool Catalogue & Brochure Design”. We hope you will get a lot of inspiration from these designs. So let’s have a look below and give us feedback through your comments.
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What Does Your Business Card Say About You?
This is a question that some people never think twice about, and others completely over think. In both instances you can end up with something that doesn’t do your brand justice, or that is so “unique” that it is actually detrimental.
Sometimes the Clever Thing is to Not Be too Clever
Most will agree the sole purpose of a business card is to provide your contact information in a manner that is useful and capable of being distributed. So what role does the actual design of your card play in effectively fulfilling this primary objective? I would put it in the major category. Consider the components that can either make your card well designed or over designed.
Let’s start by deconstructing the basic components of a well designed business card.
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Tuesday, April 10, 2012
45 Really Funny Print Ads
In today’s world advertisement plays very important role for a product or company to be successful the advertisement must deliver powerful message which attracts the consumer’s attention. Humorous advertisement is one of the best way to grab more consumer’s attention. In this roundup I have showcase some of the best humorous print ad which makes you laugh. Enjoy!
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Monday, April 9, 2012
30 Funny Business Cards You Should Check Today
Offering out a conventional business card to potential clients, is only as impressive as handing out a boring circular. Be creative to make a lasting impression with some fun element. Designing funny business cards is a matter of pun-filled creativity.
If you could manage to bring a smile on your prospective visitors with your business card, it’s like half battle won. An amusing design may just do that in a very light yet enjoyable manner. If the idea intrigues to win attention with crazy methods, check out some awesome funny business card ideas in the list below.
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Wednesday, April 4, 2012
Letterhead And Logo Design Inspiration – 60+ Cool Examples
The letterhead provides an important addition to a brand’s image, with a simple and careful placement of it’s logo and corporate design. It’s importance must not be underestimated when working on a company’s identity and stationery.
Finding letterhead designs for your inspiration is pretty hard, especially when you need something top notch to see in order to have some guidelines for your project. In this article you have a little over 60 cool examples of letterhead and logo design inspiration which should help you get an idea on how other designers have worked on the identity and stationery of various brands.
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Why Your Logo Isn't Your Brand
Bad news, kids: your logo isn't your brand.
This weekend I attended AIGA Y Conference (Y17). One of the first speakers, a name you probably recognize, Karim Rachid, immediately launched into logo vs. brand. He pointed out how so many companies start with logo, and that this is a misplaced focus (my words, not his, although I agree) because your brand isn't just what your logo looks like -- it's about your service, the customer experience. In some ways, he implied, maybe there shouldn't be logos anymore. Maybe you're misplacing your focus if you put more energy into your logo than into truly understanding what your brand means -- or should mean -- to people.
I can't count the number of times someone has come to me with a cute image, or even a not cute image that the spent serious time and money on. It's memorable, so they think they have "brand". They do not.
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Tuesday, April 3, 2012
Packaging inspiration | #460
In From up North's inspiration galleries we present the latest of our findings from the wonderful world of design. Amazing high quality artworks in various categories from great designers all over the globe.
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Choosing the Appropriate Typeface for your Projects
Good Typography is beautiful and that's a fact. But how can you define good typography? There are millions of different typefaces on the internet and most of them are offered for free which makes it very difficult for designers to choose the appropriate fonts for logos, websites, posters etc. Today we showcase a fresh collection of the latest typefaces available to help you out a bit choosing some creative fonts for your projects.
Also if you are interested here are some tutorials that will help you out choosing the right typeface.
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Designing Style Guidelines For Brands And Websites
A website is never done. Everyone has worked on a project that changed so much after it launched that they no longer wanted it in their portfolio. One way to help those who take over your projects is to produce a style guide.
Edward Tufte once said: “Great design is not democratic; it comes from great designers. If the standard is lousy, then develop another standard.” Although there’s no stopping some clients from making their website awful, by creating a style guide, you’re effectively establishing rules for those who take over from you.
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Sunday, April 1, 2012
Ask a Madman: My Client Wants Me to Copy a Design
Whether it happens in a corporate conference room or in a startup client’s office (read: Starbucks), at some point in your career, someone is going to ignore your sketches and ideas and say, “Here’s a site I like. I want one designed just like this!” A bruised ego is bad enough, but knowing where to draw the line between inspiration and theft is even tougher.
There are times we need to just give in to clients—it is a service industry, after all. As an old teacher once said to me: “If you’re a designer, you will have to follow instructions and inane wishes of clients. If you want to be an artist, then paint pictures.”
It sticks in my mind because at the time he was strangling me while other students tried to pry his hands from my throat. My arguments about creativity and self-respect were naïve… and aggravating, judging by the teacher’s attempt to murder me. I’m still reminded by peers that the wishes of the client are of utmost importance in our line of work.
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